陈凯歌:历史革命与反叛电影(12)

参考资料

Ah Cheng. Three Kings. Trans. Bonnie S. McDougall. London: William Collins Sons, 1990.

An, Jingfu. “The Pain of Half Taoist: The Taoist Principles, Chinese Landscape Painting, and King of the Children.” In Linda Erlich and David Desser, eds., Cinematic Landscape: Observations on the Visual Arts and Cinema of China and Japan, pp. 117-126. Austin: University of Texas Press, 1994.

Braester, Yomi. “Farewell My Concubine: National Myth and City Memories.’ In Chris Berry, ed., Chinese Films in Focus: 25 New Takes, pp. 89-96. London: British Film Institute, 2003.

Chen Kaige and Tony Rayns, King of the Children and the New Chinese Cinema. London: Faber and Faber, 1989.

Chow, Rey. “Silent Is the Ancient Plain: Music, Filmmaking, and Conception of Reform in China’s New Cinema” and “Male Narcissism and National Culture: Subjectivity in Chen Kaige’s King of Children.” In Primitive Passions: Visualizing Sexuality, Ethnography and Contemporary Chinese Cinema, pp.79-141. New York: Columbia University Press, 1995(中译本《原初的激情》,远流出版。)

——. “The Seduction of Homecoming: Place, Authenticity, and Chen Kaige’s Tempress Moon.” In Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s, pp. 8-26. Berkeley, CA: Center for Chinese Studies, 2000.

Kuoshu, Harry H., Chen Kaige, and Wendy Larson. “3. Farewell My Concubine (Bawang bie ji, dir. Chen Kaige, 1993)” and “11. Yellow Earth (Huang tudi, dir. Chen Kaige, 1984).” In Harry H. Kuoshu, ed., Celluloid China: Cinematic Encounters with Culture and Society, pp. 69-85. Carbondale: Southern Illinois University Press, 2002.

Larson, Wendy. “Duanwu Goes Home: Che Kaige’s Tempress Moon and the Politics of Homecoming.” In Wen-hsin Yeh, ed., Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s, pp. 27-52. Berkeley, CA: Center for Chinese Studies, 2000.

Lee, Lillian. Farewell My Concubine: A Novel. Trans. Andrea Lingenfelter. 1993; reprint, New York: HarperPerennial, 1994.

Leung, Helen Hok-Sze. “Yellow Earth: Hesitant Apprenticeship and Bitter Agency.” In Chris Berry, ed., Chinese Film in Focus: 25 New Takes, pp.191-197. London: British Film Institute, 2003.

McDougall, Bonnie S. The Yellow Earth: A Film by Chen Kaige with a Complete Translation of the Filmscript. Hong Kong: The Chinese University Press, 1991.

Silbergeld, Jerome. China Into Film: Frames of Reference in Contemporary Chinese Cinema (chapters 1, 3, 6). London: Reaktion Books, 1999.

Tam, Kwok-kan and Wimal Dissanayake, eds. “Chen Kaige: Steps Toward a Personal Cinema.” In Kwok-kan Tam and Wimal Dissanayake, eds., New Chinese Cinema, pp.11-22. Oxford: Oxford University Press, 1998.

Yan, Esther C. M. “Yellow Earth: Western Analysis and a Non-Western Text.” In Chris Berry, ed., Perspectives on Chinese Cinema, pp. 62-79. London: British Film Institute, 1991.

Zhang Xudong. “A Critical Account of Chen Kaige’s King of Children.” In Chinese Modernism in the Era of Reforms, pp.282-305. Durham: Duke University Press, 1997.

李尔葳,《直面陈凯歌:陈凯歌的电影世界》,北京:经济日报出版社,2002。

倪震,《陈凯歌:中国历史文化的诠释者》,收录于罗艺军编,《华语电影十导演》,页155—207。杭州:浙江摄影出版社,2000。